Time does not pass: it accumulates.

In Layerfields, layers of worn denim build up into dense, compressed surface. Each fragment carries its own history, faded areas, worn edges, subtle shifts in tone, coming together into a material that read almost like sediment. Not lineair, but stacked.

The original garment dissolves, yet its presence persists in every layer. What emerges is not an image, but a condensation of use, repetition and touch. These works hold time physically, quietly insisting that what is discarded does not vanish, but gathers into form.